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We are atheatre collective that aims to break cultural borders and to extend the theatrical experience to all kind of audiences. With this goal in mind, we devise shows with an accent on physicality. For us, theatre is a vehicle to dream and imagine; like a game where the actor with his body and his voice generates poetic images that transport us to other places. We aim to create the theatre we like to see -- generous and accessible, touching on the themes that move us, and that mobilise us.

Mirage's team

Tomaz Muñoz graduated in Fine Arts and Geography and History, he received his doctorate with honors from the Faculty of Fine Arts of Madrid. He teaches set design and artistic creation in the School of Art and Architecture of the Universidad Europea de Madrid. He received his first artistic training in the studio of his father, the painter and collector César Muñoz Sola, who gives him a strong classical background. His teachers in set design are Carlos Cytrinowski, with whom he collaborated in the National Classical Theatre Company, Emilio Sagi in the Teatro de la Zarzuela and Simon Smith, who he has assisted in several opera productions. In 1991 he obtained an Honorable Mention at the First National Contest of Set design of the City of Oviedo. Granted at the Spanish Academy, he shows in Rome the video and music show Musica de Fuego and produces the video Roma 6.00, exhibited at the Centro Conde Duque de Madrid.

 

Since 1996 he has worked as set and costume designer, gradually expanding his scope to lighting design and direction.

 

His career as designer includes more than forty productions for theatere, dance, operetta and opera, productions premiered at the main Spanish and international stages: Festival de Teatro Clásico de Almagro, Teatro Real de Madrid, Teatro Lara, Teatro Gayarre, National Dance Company, National Auditorium, Circulo de Bellas Artes, Casa de America in Madrid or Golden Age Drama Festival in El Paso - USA, among others. In 2000 he co-directs his first play: The Loves of Anatol, Schnitzler (Círculo de Bellas Artes de Madrid). Since then, he has led, amongst other shows, operas: Schonberg Pierrot Lunaire (Gayarre Theatre, 2003), Vanitas Sciarrino (Teatro Gayarre, 2003 and Teatro de la Maestranza, 2004), Bernstein's Trouble in Tahiti (2005-2006 , tour including the Royal Theatre), The Abduction from the Seraglio by Mozart (Teatro Gayarre, 2006), La Favorita of Donizzeti (Teatro Campoamor of Oviedo, 2008 and Auditorio Baluarte,2009), and the swan Bonhomet Pérez Maseda (Theatre Abbey, 2006), Musorgsky's Marriage (Theatre Royal and touring, 2007) and Donizetti's Don Pasquale (Teatro Real and tour, 2009).

Lázaro:

Set design

Quieto todo el mundo:

Set design 

Quijotadas:

Set design

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